By James Barter
A Medieval Knight.
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1). Such an evocation of the seventies does nothing to advance the plot (though it does reinforce the different approaches to policing of Tyler and Hunt). Its primary function is a self-conscious sharing with the audience of a sense of the experience of the period, and particularly television watching in the seventies. 6, drew attention to much tougher cultural issues such as racial bigotry. In respect of broader cultural concerns, my survey sample acknowledged a strong interest in how the series marked social change and indeed its surprise at how much things had changed in a kind of gradual revolution.
He hears sounds from hospitals and in one episode is ill from an apparent change in medication. A new police inspector, Frank Morgan, is introduced and seems to know everything about Sam, hinting that he can help him get home. By the ﬁnale the evidence is mounting that Morgan is really the surgeon who is going to remove the tumour which is keeping him in the coma and therefore in 1973. Morgan has been cryptic with Sam since their ﬁrst meeting, but in a pivotal scene he outlines a plan to remove Gene Hunt from the force.
This resulted in a hybrid of the crime and sci-ﬁ series, increasing the potential fan base. Johnson (2001: 30) suggests that the reasons for the international popularity of The X-Files are complex and include its referencing of contemporary popular culture and its reﬂection of a crisis in society – a ‘pre-millennial tension’. This could describe the success of any hybrid series, particularly one with science ﬁction characteristics. As with Quantum Leap, the viewers did not have to be sci-ﬁ fans as such, but could engage with other elements in the mix.
A Medieval Knight by James Barter